Doors 7.30pm | Tickets £19 | Theatre | On general sale Fri 18 Mar 10am
After the success of her first ever solo tour in 2021, Thea Gilmore is back with an eagerly anticipated new set of live dates in October and November.
A formidable performer on stage, Thea is among the finest singer songwriters of her generation, a frank and fearless pursuer of home truths who has constantly adapted to remain relevant in the fickle, forever changing music industry. And done so on her own terms.
A painful creative and personal rebirth delivered a brace of brilliant albums last year. Although poles apart musically Afterlight, the 18th album of her career, and The Emancipation of Eva Gray, written by Thea’s alter ago and imagined 100 years ago, share the same foundation in their sentiment and subject matter – the end of a toxic relationship – as she explores the female experience through her own story.
Writer Neil Gaiman brilliantly encapsulated the spirit of Afterlight as “an emotional rollercoaster in a musical wrapper… a post mortem with better lyrics, executed by someone who can sing her heart out even as she slices into yours.”
In the 24 years since the teenage Thea released her first album, Burning Dorothy, she has worked with and won the admiration of Bruce Springsteen, Joan Baez, Martha Wainwright, John Cooper Clarke, Billy Bragg, Steve Earle, Beth Orton and The Waterboys among many others. Her landmark 2011 album Don’t Stop Singing was a collaboration with the late Sandy Denny and her music featured in the BAFTA-winning film Bait (2019) as well as Blithe Spirit (2020) starring Judi Dench.
“Afterlight, will speak deeply to far too many women, (and men). But with luck it will also give them hope and courage!” **** MOJO
“Gilmore pulls off the eternal trick of good music, turning one person’s pain into another’s pleasure” ***** Mail on Sunday
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